Even when Alana shows Gary her breasts, it has all the intimacy of a business transaction, which is where their friendship largely dwells as young business partners who refuse to admit that they’d like to be something else to each other. It’s just how their feelings coalesce for each other, and Anderson wisely keeps their interactions surprisingly asexual. There’s nothing particularly “wrong” with Gary or Alana there’s no reason he’s pursuing an older girl any more than she has feelings for a teenage boy. Licorice Pizza is about as pure hearted as Anderson can get while still remaining true to his characters and their setting. RELATED: First Trailer for 'Licorice Pizza' Reveals Paul Thomas Anderson's Latest Film, Starring Alana HaimĪnderson has never shied away from scarring his audience, and his previous love stories- Punch-Drunk Love and Phantom Thread (and even to an extent, The Master) are about people who are so damaged that they express love with the language of harm. With their constant friction, Gary and Alana feel destined to be with each other if only they could get over their own petty jealousies and insecurities.
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And yet whenever they’re most likely to split, they discover they need each other even more, which leads to them getting into various schemes like selling waterbeds or trying to figure out how to weather the oil embargo. When Gary is interested in Alana, she’s interested in another guy, and when Alana is interested in Gary, he’s off with another girl.
The two strike up a flirtatious friendship, but the timing for them never seems to be quite right.
Gary is an incredibly confident 15-year-old with an acting career who meets 20-something Alana, who is working for a photography business, during his high school’s picture day. With both Hoffman and Haim giving breakthrough performances, Licorice Pizza is a treat from start to finish as it provides a distinct snapshot of time and place while also being a universal story of first love.
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With complete confidence, Anderson will glide his movie forward to wherever it needs to be to unfold the awkward romance Gary Valentine ( Cooper Hoffman) and Alana Kane ( Alana Haim).
It’s an ambitious hang-out movie that doesn’t worry about driving the plot forward as much as it just wants to spend time with its young characters in 1973 Los Angeles. His latest film, Licorice Pizza (a slang term for vinyl records), is his funniest yet, and perhaps his most heartfelt. His knack for comedy is unique and unusual given his caliber of acclaim and the incredibly serious works he’s made. Paul Thomas Anderson is a director who refuses to be nailed down, but I think it’s fair to say that he may be one of the funniest storytellers making movies today.
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